When was sun temple built




















The main temple which enshrined the presiding deity has fallen off and only the remains can be seen. Even in its ruined state it is a magnificent temple reflecting the mastermind of the architects that imagined and constructed it.

In spite of the decay over the centuries the beauty of this monument is still amazing. All Rights Reserved. How to apply for Arms licence? How to Obtain Permission for Procession? How to apply for passport?

If you are visiting Orissa, Konark Sun Temple is a place that you must visit. The name Konark is made of two Sanskrit words: Kona, meaning corner, and arka, meaning sun. The town gets its name from its geographical location which makes it look like the sun rises at an angle. The Konark Sun Temple, however, was built in the 13 th century.

It was one of the most powerful dynasties in India which gave existence to majestic temples like Konark Sun Temple and Puri Jagannath Temple. Konark was chosen as its place of construction because it has been described as the holy seat of Surya in various ancient texts. Many Hindu scriptures mention Konark as an important place for worshipping the sun.

Samba Purana, an ancient text dedicated to Surya, tells the legend of how Samba, son of Lord Krishna, built the temple to worship the sun. It is believed that worshipping the sun was started by Samba. As the legend goes, Samba built a sun temple in the 19 th Century BC at the end of his year long worship of the Sun at Maitryeavana. This worship cured him of leprosy that he was suffering from.

One of them states that King Anangabhima Deva worshipped Surya, the result of which was a longed-for son in the family whom he named Narasimha Deva. King Narasimha built the temple as an act of gratitude to Surya. As a ruler, Narsimha Deva I was a powerful monarch and he defended his kingdom against the army of Tughral Tughran Khan from the Mamluk Dynasty in the 13 th century.

To allow us to provide a better and more tailored experience please click "OK". Sign Up. Travel Guides. Videos Beyond Hollywood Hungerlust Pioneers of love. Things to Do. Komal Chandani. Give us feedback. To the east, the jahamogana audience hall dominates the ruins with its pyramidal mass.

Farther to the east, the natmandir dance hall , today unroofed, rises on a high platform. Various subsidiary structures are still to be found within the enclosed area of the rectangular wall, which is punctuated by gates and towers.

Its scale, refinement and conception represent the strength and stability of the Ganga Empire as well as the value systems of the historic milieu. Its aesthetical and visually overwhelming sculptural narratives are today an invaluable window into the religious, political, social and secular life of the people of that period.

The Sun Templeis directly associated with the idea and belief of the personification of the Sun God, which is adumbrated in the Vedas and classical texts. The Sun is personified as a divine being with a history, ancestry, family, wives and progeny, and as such, plays a very prominent role in the myths and legends of creation.

Furthermore, it is associated with all the legends of its own artistic creation — the most evocative being its construction over twelve years using 1, artisans — and the stories about the deep commitment of its master builder, Bisu Moharana, to the project, in which his son who was born during this period later became involved. Criterion i : A unique artistic achievement, the temple has raised up those lovely legends which are affiliated everywhere with absolute works of art: its construction caused the mobilization of 1, workers for 12 years.

The architect, Bisu Moharana, having left his birthplace to devote himself to his work, became the father of a son while he was away. This son, in his turn, became part of the workshop and after having constructed the cupola of the temple, which his father was unable to complete, immolated himself by jumping into space. Within the inscribed and protected extent of the property, its surviving structures and sculptures, as well as the dislodged remains preserved in-situ, represent its quintessential qualities of architectural form, design and sculptural relief.

An extension of the site boundaries and the buffer zone around the property by land acquisition has been recommended for the better management of the site.

Concerns over the structural integrity of elements of the site have been raised in the past, including the impact of monsoon rains and associated soil erosion.



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